禁止,切断
发表于 2025-3-23 12:25:28
https://doi.org/10.1007/978-3-663-05387-3ich they are determined. The multiplicity instantiated in the becoming of the performer’s body in .; the modulations of the body-trampoline . in .; the involution of movement coupled with sensation in radical slowness in .; the syntax of stutterances in .; the transitions from power to crisis-motion
不如屎壳郎
发表于 2025-3-23 17:23:38
Rechtsbegriffe in der Notfallmedizin of conclusion. Firstly how has the rupture of the organic regime in dance that these choreographies achieved impacted more broadly on the field of dance and performance? And then, if these works succeeded in philosophically reconceptualizing the body, bodily movement, and the temporality of perform
archetype
发表于 2025-3-23 19:12:24
http://reply.papertrans.cn/23/2262/226200/226200_13.png
DEVIL
发表于 2025-3-24 01:55:46
Performance Philosophyhttp://image.papertrans.cn/c/image/226200.jpg
情感脆弱
发表于 2025-3-24 05:04:50
http://reply.papertrans.cn/23/2262/226200/226200_15.png
visceral-fat
发表于 2025-3-24 09:18:43
http://reply.papertrans.cn/23/2262/226200/226200_16.png
不可救药
发表于 2025-3-24 11:37:40
http://reply.papertrans.cn/23/2262/226200/226200_17.png
裹住
发表于 2025-3-24 17:15:31
During and After Performance: Processes, Caesuras, and Resonances,ghts, and voices in .—all these entail various compositions of time. If we were to ask what would be left in these performances if time was evacuated from them, the answer would confirm the indispensible function of time. None of the problems could be divested of the durations which their operation constitutes.
GROVE
发表于 2025-3-24 22:59:48
2947-5589 reographers. A discussion of key issues in contemporary performance from the viewpoint of Deleuze, Spinoza and Bergson is accompanied by intricate analyses of seven groundbreaking dance performances. 978-1-349-55610-6978-1-137-43739-6Series ISSN 2947-5589 Series E-ISSN 2057-7176
财产
发表于 2025-3-25 00:18:24
http://reply.papertrans.cn/23/2262/226200/226200_20.png