EXTRA
发表于 2025-3-21 18:14:58
书目名称Choreographing Intersubjectivity in Performance Art影响因子(影响力)<br> http://impactfactor.cn/if/?ISSN=BK0226199<br><br> <br><br>书目名称Choreographing Intersubjectivity in Performance Art影响因子(影响力)学科排名<br> http://impactfactor.cn/ifr/?ISSN=BK0226199<br><br> <br><br>书目名称Choreographing Intersubjectivity in Performance Art网络公开度<br> http://impactfactor.cn/at/?ISSN=BK0226199<br><br> <br><br>书目名称Choreographing Intersubjectivity in Performance Art网络公开度学科排名<br> http://impactfactor.cn/atr/?ISSN=BK0226199<br><br> <br><br>书目名称Choreographing Intersubjectivity in Performance Art被引频次<br> http://impactfactor.cn/tc/?ISSN=BK0226199<br><br> <br><br>书目名称Choreographing Intersubjectivity in Performance Art被引频次学科排名<br> http://impactfactor.cn/tcr/?ISSN=BK0226199<br><br> <br><br>书目名称Choreographing Intersubjectivity in Performance Art年度引用<br> http://impactfactor.cn/ii/?ISSN=BK0226199<br><br> <br><br>书目名称Choreographing Intersubjectivity in Performance Art年度引用学科排名<br> http://impactfactor.cn/iir/?ISSN=BK0226199<br><br> <br><br>书目名称Choreographing Intersubjectivity in Performance Art读者反馈<br> http://impactfactor.cn/5y/?ISSN=BK0226199<br><br> <br><br>书目名称Choreographing Intersubjectivity in Performance Art读者反馈学科排名<br> http://impactfactor.cn/5yr/?ISSN=BK0226199<br><br> <br><br>
渐变
发表于 2025-3-22 00:08:44
Museum Bodies: Choreo-Policing and Choreo-Politics,in contemporary art museums. The history and politics of the relations created between art museums and visitors is explored, beginning with early nineteenth-century examples before moving onto the modernist “white cube” and its more hybrid twenty-first century permutations. Wynne-Jones uses André Le
NEXUS
发表于 2025-3-22 01:35:32
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intricacy
发表于 2025-3-22 08:02:18
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BIPED
发表于 2025-3-22 10:54:38
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DAMP
发表于 2025-3-22 15:09:43
,Walking the Wall and Crossing the Threshold: Angela Tiatia, Kalisolaite ‘Uhila and Shigeyuki Kihara bodies performing and creating interventions in museums and contemporary art gallery spaces in Aotearoa New Zealand. Focussing on the relations activated by such artworks, an examination of Louise Tu’u’s thesis of performance as a processual tool for drawing audiences into the dis-ease of social re
DAMP
发表于 2025-3-22 17:27:20
Conclusion: Unsettling the Museum,from Helen Rees Leahy, this chapter draws attention to the inevitable tension between conformity and freedom in exhibition spaces. Observing the impact of post-human, post-internet, queer and decolonising theories in performance art, Wynne-Jones summarises how such theories impact the practice and s
LINE
发表于 2025-3-22 21:22:07
https://doi.org/10.1007/978-3-662-66885-6 order to highlight the relational and connective aspects of performance art. The introduction concludes with a discussion of the tendency in contemporary art to focus on the prescriptive aspects of choreography rather than its emancipatory potential.
MORT
发表于 2025-3-23 02:48:58
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Haphazard
发表于 2025-3-23 07:16:11
https://doi.org/10.1007/978-3-658-39521-6ection. Wynne-Jones argues that LeRoy uses various techniques to contest the restrictions and disciplinary power of the museum. Ideas taken from Amelia Jones and Sara Ahmed are used to argue that such spaces and artistic attitudes are gendered and rooted in a history that is deeply masculine.