CHOIR
发表于 2025-3-26 21:24:47
Ur-Narrative and the Sun Myth,tive in later ages. By criticizing Northrop Frye’s otherwise impressive work on sun myth, we can pin down the functions of Ur-narrative in the history of narrative development. The reasons why ancient people kept telling sun stories is that these stories could increase their sense of mastery of the
亲爱
发表于 2025-3-27 02:53:33
,The “Proto-Ecological Narrative” in ,hat everything had its specific appearance, and what is more, they also cherished the idea that resources were limited. On the whole, . merely describes the geographical environment, but when it comes to the account of the phoenix paradise, it seems as if the narrator explicitly expresses his apprec
命令变成大炮
发表于 2025-3-27 08:53:18
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翻动
发表于 2025-3-27 11:40:39
Narrative and Cultural Analysis of Porcelain,n and harmony. .: These two materials are connected through a relation of imitation or even replacement between porcelain and jade. The history of porcelain making can be described as a process of imitating and transcending jade. However, “imitating jade” is not the final goal of porcelain. What por
AORTA
发表于 2025-3-27 13:46:23
The Magic of Contract: A New Analysis of the Four Classic Chinese Novels,g and small contracts. The big contracts in the books are all oriented toward orthodoxy (e.g., positive results, authenticity, etc.) while the small contracts are concerned with unorthodoxy (e.g., heterodoxy, heresy, etc.); the big contracts create a “hero” at the expense of sacrificing freedom (thr
言外之意
发表于 2025-3-27 20:41:16
The Charm of Intertextuality: A New Insight into Four Folktales,hen society; 5. The narrative time of each folktale represents spring, summer, autumn, and winter. That the four folktales can stand out from the hundreds and thousands of other similar tales which is the result of natural selection. The four folktales are still read today also because of their educ
gentle
发表于 2025-3-27 22:53:42
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integral
发表于 2025-3-28 02:30:46
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凶残
发表于 2025-3-28 09:31:46
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Vertebra
发表于 2025-3-28 14:29:55
,“Focalization” and Its Chinese Translation,ls after the eighteenth century, tends to “focalize” on a single protagonist, around whose action the narrative unfolds. By contrast, in Chinese narrative, “focalization” is not that important, and the focus keeps shifting from one character to another. “Focalization” does not suit Chinese narrative