推翻
发表于 2025-3-21 16:27:21
书目名称Childhood in Edwardian Fiction影响因子(影响力)<br> http://impactfactor.cn/if/?ISSN=BK0225135<br><br> <br><br>书目名称Childhood in Edwardian Fiction影响因子(影响力)学科排名<br> http://impactfactor.cn/ifr/?ISSN=BK0225135<br><br> <br><br>书目名称Childhood in Edwardian Fiction网络公开度<br> http://impactfactor.cn/at/?ISSN=BK0225135<br><br> <br><br>书目名称Childhood in Edwardian Fiction网络公开度学科排名<br> http://impactfactor.cn/atr/?ISSN=BK0225135<br><br> <br><br>书目名称Childhood in Edwardian Fiction被引频次<br> http://impactfactor.cn/tc/?ISSN=BK0225135<br><br> <br><br>书目名称Childhood in Edwardian Fiction被引频次学科排名<br> http://impactfactor.cn/tcr/?ISSN=BK0225135<br><br> <br><br>书目名称Childhood in Edwardian Fiction年度引用<br> http://impactfactor.cn/ii/?ISSN=BK0225135<br><br> <br><br>书目名称Childhood in Edwardian Fiction年度引用学科排名<br> http://impactfactor.cn/iir/?ISSN=BK0225135<br><br> <br><br>书目名称Childhood in Edwardian Fiction读者反馈<br> http://impactfactor.cn/5y/?ISSN=BK0225135<br><br> <br><br>书目名称Childhood in Edwardian Fiction读者反馈学科排名<br> http://impactfactor.cn/5yr/?ISSN=BK0225135<br><br> <br><br>
我邪恶
发表于 2025-3-21 21:50:30
Pagan Papers: History, Mysticism, and Edwardian Childhood. (1985). The title, however, is double-edged. It is not only an account of a canonical set of writers, including J. M. Barrie, Kenneth Grahame, and E. Nesbit, but it is also an analysis of how these writers posited a ‘Golden Age,’ a ‘secret garden,’ in their works. Carpenter plausibly argues that t
Magnitude
发表于 2025-3-22 00:45:08
Cult or Cull?: , and Childhood in the Edwardian Ager work in initiating a fashion for “fairy” literature and illustration in the Edwardian nursery’ (Carpenter 170), and Peter Pan does symbolize the youth and vitality of the age. Yet this essay will reveal the deep irony of this statement through exploring the ways in which James Matthew Barrie decon
expunge
发表于 2025-3-22 06:33:16
Intangible Children: Longing, Loss, and the Edwardian Dream Child in J. M. Barrie’s , and Rudyard Ki and Rudyard Kipling’s short story ‘“They”’ (1904) are among earlier Edwardian texts that reveal that the ‘cult’ was already thriving before Peter Pan landed on the stage to became its most enduring symbol. Dappled with longing for children lost or never born, who manifest fictionally as intangible
Directed
发表于 2025-3-22 09:30:53
The Edwardian Child in the Garden: Childhood in the Fiction of Frances Hodgson Burnettd from 1898 to 1908 and which contained the garden she loved most. In 1901, at the start of the Edwardian period, she was 52 years old and already a highly successful writer, having published over 50 novels and plays in the preceding 20 years. Although in her own lifetime and beyond, her most famous
背带
发表于 2025-3-22 13:11:18
Separated Lives and Discordant Homes: The Otherness of Childhood in D. H. Lawrence’s Edwardian Ficti from or separated by adult behaviours, and interaction between adults and children in these novels indicates, along with a strong instinctive familial bond, an equal tendency to disrupt or destroy. The ‘otherness’ of childhood in Lawrence is seen in the ways in which adult and child characters perc
背带
发表于 2025-3-22 17:34:04
Exhibiting Childhood: E. Nesbit and the Children’s Welfare Exhibitionshe nature of her work, which is often hailed as marking the beginning of modern children’s fiction. This essay seeks to place Nesbit in a very particular context — her involvement with the Children’s Welfare Exhibition held at London’s Olympia from 31 December 1912 to 11 January 1913 — but also seek
人工制品
发表于 2025-3-22 21:46:20
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Eviction
发表于 2025-3-23 03:37:20
Primitive Minds: Anthropology, Children, and Savages in Andrew Lang and Rudyard Kiplingves either as ‘becoming modern’ or consciously choosing to ‘go primitive.’ Educators and psychoanalysts examined childhood in the same ways that so-called primitive races were being viewed. Edwardian children’s authors combined the approaches, creating works that concentrated on contrasts between ch
思考才皱眉
发表于 2025-3-23 09:03:12
Truth and Claw: The Beastly Children and Childlike Beasts of Saki, Beatrix Potter, and Kenneth Grahaapproach, Beatrix Potter, Kenneth Grahame, and Saki (Hector Hugh Munro) share an interest in bad or naughty characters, adult and child. These characters are driven by a fierce internal logic that cuts across social convention and the needs or desires of other characters: particularly when they writ