乞讨
发表于 2025-3-23 12:16:33
Chaucer‘s Pardoner and Gender Theory978-1-349-61877-4Series ISSN 2945-5936 Series E-ISSN 2945-5944
aphasia
发表于 2025-3-23 16:07:00
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软膏
发表于 2025-3-23 20:51:09
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贞洁
发表于 2025-3-23 23:31:41
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变态
发表于 2025-3-24 05:38:13
https://doi.org/10.1007/978-1-4302-0166-3oup, to use an often-repeated critical formula. At least until quite recently, this moral status has been regularly, though not universally, associated not only with the Pardoner’s unorthodox body, but also with an unorthodox sexuality. The Pardoner’s physical description in the . allows him an effe
Integrate
发表于 2025-3-24 10:01:49
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NEX
发表于 2025-3-24 13:22:17
https://doi.org/10.1007/978-1-4302-0166-3to hym a stif burdoun…” (I, 672–73). At the end of the portrait, he’s still singing, though the circumstances are quite different: “Wel koude he rede a lessoun or a storie, / But alderbest he song an offertorie; / For wel he wiste, whan that song was songe, / He moste preche and wel affile his tonge
CHIDE
发表于 2025-3-24 18:17:13
https://doi.org/10.1007/978-1-4302-0166-3), one I touched on only briefly earlier: the fragmented or dismembered body, which is of considerable interest to both the Pardoner and the Prioress.An investigation of this concern might be initiated with Chaucer’s various treatments of the Orpheus myth—the myth that links dismemberment to poetry
讥笑
发表于 2025-3-24 21:36:41
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Parabola
发表于 2025-3-25 01:50:27
The New Middle Ageshttp://image.papertrans.cn/c/image/224193.jpg