fabricate
发表于 2025-3-25 03:37:19
Chaucer‘s Feminine Subjects978-1-137-08972-4Series ISSN 2945-5936 Series E-ISSN 2945-5944
鞠躬
发表于 2025-3-25 08:29:03
http://reply.papertrans.cn/23/2242/224191/224191_22.png
agitate
发表于 2025-3-25 13:15:38
http://reply.papertrans.cn/23/2242/224191/224191_23.png
PLUMP
发表于 2025-3-25 18:36:55
The Rhetoric of Desire in ,is mastery over his wife. In this, the tale takes up at the point where the Wife of Bath’s tale left off, with the affirmation of masculine submission as the condition for marital harmony. However, a threat to their relationship soon appears in the form of Aurelius, a squire who insistently holds Do
Monocle
发表于 2025-3-25 22:40:14
http://reply.papertrans.cn/23/2242/224191/224191_25.png
GEN
发表于 2025-3-26 04:00:37
http://reply.papertrans.cn/23/2242/224191/224191_26.png
繁荣地区
发表于 2025-3-26 05:15:51
https://doi.org/10.1007/978-1-4302-0378-0ional categories of critical commentary led earlier critics to regard the tale as an obvious and regrettable concession to popular medieval taste. Writing seventy years ago, George Cowling was among the first modern critics to dismiss the tale as catering to a medieval appetite for stories about the
lanugo
发表于 2025-3-26 09:23:21
Administering Web Applications,veal its sexuality is perhaps the last to know the meaning of what it says?”. Along similar lines, by exposing the rhetorical fault lines of subjective division and conflict, my analyses have traced the reciprocal articulation of identity and desire within Chaucer’s rhetorical constructions of subje
鄙视读作
发表于 2025-3-26 15:51:43
,Chaucer’s Wolf: Exemplary Violence in ,ional categories of critical commentary led earlier critics to regard the tale as an obvious and regrettable concession to popular medieval taste. Writing seventy years ago, George Cowling was among the first modern critics to dismiss the tale as catering to a medieval appetite for stories about the
正式演说
发表于 2025-3-26 20:26:01
Afterword: A Question of Politics,veal its sexuality is perhaps the last to know the meaning of what it says?”. Along similar lines, by exposing the rhetorical fault lines of subjective division and conflict, my analyses have traced the reciprocal articulation of identity and desire within Chaucer’s rhetorical constructions of subje