同音 发表于 2025-3-26 21:08:09
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Charlotte Brontë’s “Chinese Fac-similes”: A Comparative Approach to Interpreting the Materials of Auforgery, and theft. How do these workaday practices complicate notions of authorship, as well as distinctions made between original and derivative works of literature and art? Drawing on a comparative material analysis of Charlotte Brontë’s manuscripts and artworks, this chapter suggests how reprodu松软无力 发表于 2025-3-27 07:58:59
“I have read the Lady’s Magazine”: The Materialities of Charlotte Brontë’s Medievalism. in the late eighteenth century, to explore women’s place in history and in contemporary society. Studies of Charlotte Brontë’s engagement with medievalism and Romance have focused mainly on her negotiations with the discourse in . (1847) and . (1853). This chapter demonstrates how Brontë uses medievanescent 发表于 2025-3-27 09:48:04
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Charlotte Brontë, Embodiment and the Material World978-3-030-34855-7Series ISSN 2634-6494 Series E-ISSN 2634-6508特别容易碎 发表于 2025-3-28 01:17:36
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978-3-030-34857-1The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl后天习得 发表于 2025-3-28 08:48:24
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