Grandstand
发表于 2025-3-23 12:16:47
Paolo P. Pescarmona,Thomas Maschmeyeraries. Along with the aforementioned Bohemian and Beat artists, these groups of people played their parts in keeping Chaplin alive in America, for it was through his films and filmmaking that his reputation here slowly began to be restored. By the early 1960s, the talk in American filmgoing circles
NATAL
发表于 2025-3-23 15:50:44
https://doi.org/10.1007/978-0-387-79240-8 documentary films. This chapter surveys the Chaplin books for the period, from Parker Tyler’s quirky . (1947) and Theodore Huff’s very popular . (1951) to Chaplin’s own . (1964), coupling descriptions of these books with their reviews and the way they were received by both Chaplin enthusiasts and t
Archipelago
发表于 2025-3-23 18:07:05
Bruce Fegley Jr.,Laura Schaeferd wonders in terms of keeping Chaplin’s name and work alive in America. As a subsidiary to this discussion, then, is an investigation of the vehicle through which these parties communicated—the film fan magazine. Later in the chapter, the investigation of Chaplin merchandising, in the form of clothi
intimate
发表于 2025-3-23 22:44:20
https://doi.org/10.1007/978-3-319-40478-3Charlie Chaplin; Beat Movement; Chaplin and America; Celebrity and Stardom; Audience Reception
Ambulatory
发表于 2025-3-24 06:06:21
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SPURN
发表于 2025-3-24 10:36:21
Book 2016ly in effect by 1965 and then confirmed by 1972, the year in which Chaplin returned to the United States for the final time, to receive accolades in both New York and Los Angeles, where he received an Oscar for a lifetime of achievement in film...
任命
发表于 2025-3-24 11:51:42
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偶然
发表于 2025-3-24 15:10:08
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流动才波动
发表于 2025-3-24 20:08:02
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Allowance
发表于 2025-3-25 00:13:55
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