Abeyance
发表于 2025-3-21 18:06:42
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dysphagia
发表于 2025-3-21 22:20:54
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点燃
发表于 2025-3-22 03:31:18
The Construction and Definition of Female Characters,eal, exemplified in the films and the audiences respectively, evident in the themes which appear concurrently in different films. This proposition is endorsed by the marked differences evident in themes current at each of the three “moments”.
MUMP
发表于 2025-3-22 06:58:30
The Narrative Resolutions of Female Characters,nema — the world inhabited by the audience — constitutes the routine material of critical responses to the films. Close attention to such contemporary responses, as we shall see, offers an extra-diegetic yardstick by which we may evaluate contemporary reception of the discursive propositions lodged in the resolutions of the film texts.
冷淡周边
发表于 2025-3-22 10:25:27
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explicit
发表于 2025-3-22 13:10:16
r the analysis of fictional characters is presented and the discursive context within which contemporary meanings were formed is explored through reference to the press, particularly that addressed to a female readership.978-1-349-21961-2
explicit
发表于 2025-3-22 17:44:03
On the Origin of Phosphorylated Biomoleculesnema — the world inhabited by the audience — constitutes the routine material of critical responses to the films. Close attention to such contemporary responses, as we shall see, offers an extra-diegetic yardstick by which we may evaluate contemporary reception of the discursive propositions lodged in the resolutions of the film texts.
Anthropoid
发表于 2025-3-22 22:26:29
ly activity of female audience members in respect of a group of eighteen films successful at the British box office between 1945 and 1965. A method for the analysis of fictional characters is presented and the discursive context within which contemporary meanings were formed is explored through refe
意外
发表于 2025-3-23 03:35:51
On the Origin of Phosphorylated Biomoleculeschapter is concerned with the qualifications which must be borne in mind while engaging in such an exploration of cinema popular in Britain between 1945–1965. The book as a whole is, precisely, a speculation about the available meanings of Woman in circulation at a time when cinema could be said to be the dominant form of mass culture.
Substance
发表于 2025-3-23 06:12:54
Daniel Fitz,Thomas Jakschitz,Bernd M. Rode typical of the majority of films popular in the mid-forties, mid-fifties and mid-sixties, and to the two aspects of the cinema which particularly inflected marketing strategies, audience choices and, most important, audience readings of film — which are genre and stars.