讽刺文章 发表于 2025-3-21 18:11:41

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febrile 发表于 2025-3-21 21:16:16

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原告 发表于 2025-3-22 03:17:35

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DEFER 发表于 2025-3-22 07:41:39

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交响乐 发表于 2025-3-22 09:22:54

Musings between the Marvelous and Strange: New Contexts and Correspondence about Carson McCullers ahival materials in the Margaret S. Sullivan Papers and the Dr. Mary E. Mercer/Carson McCullers Collection at Columbus State University, including the transcripts of McCullers’ therapy sessions with Mary Mercer. By examining letters exchanged between and about McCullers and Tucker, Skaggs invites us

蘑菇 发表于 2025-3-22 16:02:23

The Image of the String Quartet Lurking in ,, novel. Focusing on the relationship between the novel and her early short story “Court in the West Eighties” as musico-literary variations, the chapter also explores why McCullers almost unconsciously but repeatedly used the image of a string quartet at that time. Magome finally compares McCullers’

蘑菇 发表于 2025-3-22 20:58:40

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Interim 发表于 2025-3-22 23:32:51

,“To be a Good Animal”: Toward a Queer-Posthumanist Reading of ,,alyzes McCullers’ engagement with the discourse of speciesism and its intersections with other topics—gender, race, and sexuality—that have been prominent areas of focus in critiques of McCullers’ work. Additionally, it draws from Foucault’s analytics of power to illuminate ways that McCullers both

重力 发表于 2025-3-23 01:49:07

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amenity 发表于 2025-3-23 07:00:35

Queer Eyes: Cross-Gendering, Cross-Dressing, and Cross-Racing Miss Amelia,a. Matsui reconsiders the story’s ending, which many critics have interpreted as showing male force reinforcing a woman’s oppression, and argues that Miss Amelia’s queer way of being actually has a subversive function. Where racial, gender, and sexual categories are strictly policed by the dominant
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查看完整版本: Titlebook: Carson McCullers in the Twenty-First Century; Alison Graham-Bertolini,Casey Kayser Book 2016 The Editor(s) (if applicable) and The Author(