SEED
发表于 2025-3-23 12:02:45
Introduction: Carnival and Cultural Politicsears and there is no need to provide yet another outline of his general theories here, but there has not been any serious attempt to present Bakhtin’s ideas in relation to the development of carnival culture in the Soviet modernist novel. However, the forms of Soviet culture, perhaps more obviously
幼稚
发表于 2025-3-23 15:13:28
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移动
发表于 2025-3-23 20:41:41
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Mutter
发表于 2025-3-24 01:10:36
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改正
发表于 2025-3-24 03:51:45
The Festive Revolutions of Yurii Olesha the stage,. and in the period before 1932 he wrote several highly regarded short stories. From this time, until the posthumous publication of his autobiographical Hu ∂нr бeз cmpoчκu (.) Olesha published nothing but a few translations and film scenarios.
Ingredient
发表于 2025-3-24 08:19:20
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Licentious
发表于 2025-3-24 11:12:49
Daniil Kharms, the Soviet Menippea and the ‘Medieval’ Grotesquenivalesque traditions of Evreinov, Meyerhold and Khlebnikov and, as it were, runs them into the moral obscenities of the Stalin era in which the world of laughter becomes tragic. In this Kharms, like Gogol before him, attempted to merge Russian traditions in which carnival maintained many disturbing
含沙射影
发表于 2025-3-24 18:35:41
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hurricane
发表于 2025-3-24 21:34:50
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AVOW
发表于 2025-3-25 02:27:25
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