欲望
发表于 2025-3-23 10:57:43
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aesthetician
发表于 2025-3-23 16:01:30
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牙齿
发表于 2025-3-23 19:19:13
https://doi.org/10.1007/978-3-658-12213-3n of Ballylee Castle, County Galway. Chronologically examining five tower-related poems included in . (1919), the chapter discusses the process in which Yeats carefully constructed each aspect of the tower one by one, ‘layer upon layer’, often in tandem with the progress of the work of restoration a
占线
发表于 2025-3-23 23:15:56
https://doi.org/10.1007/978-3-662-22159-4hose title ‘Thoor’ was added in 1922). The chapter focuses on the unpredictably anomalous developments of these two tower poems in the making. Close analyses of ‘A Prayer for My Daughter’ (in which a direct reference to the tower emerged at a late stage of composition) and the inscription poem (whic
脆弱么
发表于 2025-3-24 04:47:34
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越自我
发表于 2025-3-24 08:46:03
https://doi.org/10.1007/978-3-642-87484-0it, . (1928). Incorporating his long-held theme at the root of the tower project, the Gaelic poet Anthony Raftery and his muse at Ballylee, into his poetic property, ‘The Tower’ opens a new phase of the building as public as well as private property, and the architecture functions as a stage for sol
NAUT
发表于 2025-3-24 12:18:01
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dapper
发表于 2025-3-24 15:01:57
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AVANT
发表于 2025-3-24 23:05:31
https://doi.org/10.1007/978-3-031-60784-4Modernism; British and Irish Literature; Literature and the Environment; Architecture; Irish politics; Ea
令人作呕
发表于 2025-3-25 00:47:50
978-3-031-60786-8The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl