个阿姨勾引你 发表于 2025-3-26 21:58:38
The “Chinese Curved Roof” for a Christian University: Interactions Between Building Technology and Cergence of the modern Chinese architecture movement, which is characterized by the cultural exchange between China and the West. The architecture of certain Christian universities in China was designed by missionary architects and executed by local craftsmen, demonstrating not only significant proce射手座 发表于 2025-3-27 04:08:16
Digging Cultures of Production Using Design Practice: Transforming the Main Oxygen Factory Workshop ating the reactivation of an industrial site into a national manifesto for industrial heritage reuse. The observation revolves around the renovation of the Main Workshop of the Oxygen Factory Complex in the Shougang Steel Factory. Shougang is a former . in Beijing that in the early 2000s was gradual利用 发表于 2025-3-27 06:16:10
http://reply.papertrans.cn/20/1928/192782/192782_33.pnggratify 发表于 2025-3-27 10:26:14
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http://reply.papertrans.cn/20/1928/192782/192782_35.pngAPEX 发表于 2025-3-27 20:28:21
http://reply.papertrans.cn/20/1928/192782/192782_36.png五行打油诗 发表于 2025-3-27 23:23:50
Transnational Histories of Design Cultures and Productionhttp://image.papertrans.cn/b/image/192782.jpgAffiliation 发表于 2025-3-28 05:43:53
https://doi.org/10.1007/978-981-97-1794-1Building Technology; Cultural History; Chinese Architecture; Indian Architecture; Asian Architecture; HisAnalogy 发表于 2025-3-28 09:11:13
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Fritz Aulinger,Wilm Reerink,Wolfgang Riepeeijing, focusing on aspects of Kuma’s architectural philosophy, the priority of heritage conservation, the use of transformative design and the ‘redefinition of boundaries’ in the redevelopment, regeneration, and reinvention of the area’s . (alleys) and . (courtyard houses). The text describes Kuma’