Cryptic 发表于 2025-3-28 16:38:53
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“To be redde on the banks of the Ohio!”: Byron in Nineteenth-Century American Culture flattered by accounts of their transatlantic fame. Dr. Johnson, in spite of his disagreement with prevailing American views on taxation and the slave trade, could still confide to a Philadelphia attorney, “ou are not mistaken in supposing that I set a high value on my American Friends, and thatAllowance 发表于 2025-3-29 01:39:10
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2691-1256 l analysis. Contributors to this collection include Bernard Beatty, Peter Cochran, Marilyn Gaull, Charles E. Robinson, Andrew Stauffer, and Timothy Webb.978-1-349-36972-0978-0-230-61104-7Series ISSN 2691-1256 Series E-ISSN 2634-5218表皮 发表于 2025-3-29 15:16:54
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Heritage and Innovation in Byron’s Narrative Stanzasorists’ criticisms by several recent books on the subject (Clark 1–22; Levine 6). Among these, Susan Wolfson’s . demonstrates that, far from being by nature quietist and conservative, formalist criticism may actually be quite radical (227–32).商店街 发表于 2025-3-30 01:21:06
Byron and Wordsworth: Satan’s Neoclassical and Romantic Heirssustain. Wordsworth’s response to Satan is characteristic of Romantic aesthetics, whereas Byron sees in Satan an unfolding drama that is closer to the psychology of French neoclassicism, particularly the work of dramatists such as Racine and Corneille.remission 发表于 2025-3-30 05:44:25
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