Generator
发表于 2025-3-23 12:35:08
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intangibility
发表于 2025-3-23 15:23:30
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摇曳的微光
发表于 2025-3-23 19:00:52
https://doi.org/10.1007/978-1-4899-2019-5shire.… By the time I was eighteen, I’d tupped more women than I can count; broke their hearts, minds and kidneys without regret or remorse. I’ve caught the pox twice, attended several black masses; murdered men both in anger and cold blood, got my sister with child‖’ (.: AND . sister!’) ‘Yet, for t
Ceramic
发表于 2025-3-23 22:48:21
Giuliano Colombetti,Francesco Lenci Byron lived his writings. It would be equally inadequate to point out that Byron led a somewhat spectacular life and often came close to resembling his own fictional heroes. Such, of course, are ideal conditions for biographical myth-making. As Samuel Chew, in his still quite valuable book on the p
反感
发表于 2025-3-24 03:05:00
Philipp Strittmatter,Harry A. Daileyus to young girls) as reading his poetry. The wish to be visually available was reciprocated by some of Byron’s admirers, and Isabella/Zorina (who kept her correspondence with the poet strictly secret from her family) secured her ‘friendship’ with him by sending him a miniature of herself, in return
obstinate
发表于 2025-3-24 08:13:14
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PHONE
发表于 2025-3-24 13:01:08
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预感
发表于 2025-3-24 16:50:37
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严重伤害
发表于 2025-3-24 20:20:06
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刺耳的声音
发表于 2025-3-24 23:44:16
https://doi.org/10.1007/978-981-19-9176-9nded had happened.’. This is how Caroline Lamb is remembered in both biography and fiction alike: for confusing reality with fantasy; for behaving as though she were the heroine of a melodrama; for belonging, precisely, in the ‘wrong’ genre. Caroline Lamb’s name has become synonymous with melodrama