虚构的东西
发表于 2025-3-23 09:52:54
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确定的事
发表于 2025-3-23 14:45:44
,The Libertine Abject: The ‘Postures’ of ,closely involved was no exception to this generalisation. In fact, one of the most immediately noticeable differences between twentieth-century poetry and most poetry of the nineteenth century is the modern emphasis on common diction. For readers accustomed to the diction of Tennyson — ‘Dost thou lo
安装
发表于 2025-3-23 20:13:12
https://doi.org/10.1007/978-1-349-02893-1Britain; history of literature; literature; nineteenth century; poetics; poetry; tradition; British and Iri
Host142
发表于 2025-3-23 23:49:18
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小教堂
发表于 2025-3-24 03:48:03
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难听的声音
发表于 2025-3-24 07:49:38
The Poem as Object,, but it would be misleading to categorise all the poets experimenting with new forms as Imagist poets or to use Pound’s Imagist doctrines as more than convenient simplifications for aspects of what was most remarkable in modem poetry..
懒惰人民
发表于 2025-3-24 13:01:24
,The Libertine Abject: The ‘Postures’ of , and most poetry of the nineteenth century is the modern emphasis on common diction. For readers accustomed to the diction of Tennyson — ‘Dost thou look back on what hath been’ (., LXIV) — Eliot’s poetry might have seemed more like prose:
Frisky
发表于 2025-3-24 17:51:12
The Use of Common Speech, and most poetry of the nineteenth century is the modern emphasis on common diction. For readers accustomed to the diction of Tennyson — ‘Dost thou look back on what hath been’ (., LXIV) — Eliot’s poetry might have seemed more like prose:
ALIEN
发表于 2025-3-24 19:57:59
https://doi.org/10.1057/9780230376991as possible. ‘I am anxious’, he said in introducing ., ‘that the reader should not, at the very outset — mistaking my performance for one of a class with which it has nothing in common — judge it by principles on which it was never moulded, and subject it to a standard to which it was never meant to conform.’
diskitis
发表于 2025-3-25 00:53:45
The Approach to the Subject,as possible. ‘I am anxious’, he said in introducing ., ‘that the reader should not, at the very outset — mistaking my performance for one of a class with which it has nothing in common — judge it by principles on which it was never moulded, and subject it to a standard to which it was never meant to conform.’