肌肉 发表于 2025-3-23 13:08:30
The Growth of Broadway, the Emergence of the PMC,pposing superlatives is familiar by now: the wealthiest and the poorest, the classiest and the most vulgar, the highest and the lowest, all commingling within a few miles or even within a few blocks—even in 1900, it was practically a cliché.翅膀拍动 发表于 2025-3-23 15:36:16
Broadway and Corporate Capitalism978-0-230-62332-3Series ISSN 2947-5767 Series E-ISSN 2947-5775GILD 发表于 2025-3-23 18:30:10
https://doi.org/10.1007/978-3-662-08503-5ar Alfred Lunt his first starring role and gave a PMC hero another important job to do—stabilize his postwar community, and by implication, the larger American community. The author was Booth Tarkington, and the play—a comedy, in this case, not a farce—was called ..Fecal-Impaction 发表于 2025-3-23 22:20:36
Conclusion: Business as Usual,ar Alfred Lunt his first starring role and gave a PMC hero another important job to do—stabilize his postwar community, and by implication, the larger American community. The author was Booth Tarkington, and the play—a comedy, in this case, not a farce—was called ..Aesthete 发表于 2025-3-24 03:45:41
2947-5767 urce of ‘mature‘ American drama, and the simultaneous development of Professional-Managerial Class consciousness and habitus.978-1-349-38004-6978-0-230-62332-3Series ISSN 2947-5767 Series E-ISSN 2947-5775lavish 发表于 2025-3-24 07:38:24
Book 2009Through an examination of plays, actors, reviews, and audience response of the period, this study traces the development of Broadway as a source of ‘mature‘ American drama, and the simultaneous development of Professional-Managerial Class consciousness and habitus.Lyme-disease 发表于 2025-3-24 12:04:53
https://doi.org/10.1057/9780230623323drama; Romanticism; theatre取之不竭 发表于 2025-3-24 18:13:15
http://reply.papertrans.cn/20/1913/191265/191265_18.png过滤 发表于 2025-3-24 21:27:49
http://reply.papertrans.cn/20/1913/191265/191265_19.png不爱防注射 发表于 2025-3-25 02:16:11
Das Management von Markt- und Kreditrisiken, the seismic shifts of the world beyond the Great White Way. A few scholars, however, have shown some appreciation of the pre-1920 years of Broadway. Brenda Murphy, for example, acknowledges the period as one of transition—crucial years for establishing realistic principles in American drama (Murphy