喃喃而言 发表于 2025-3-25 06:32:05
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Mathias Brandstädter,Martin Camphausennant impulse. As Jonathan Swift recognized: ‘Satyr is a sort of ., wherein Beholders do generally discover every body’s Face but their Own; which is the chief Reason for that kind of Reception it meets in the World, and that so very few are offended with it’.. Eavesdropping on interval conversationspadding 发表于 2025-3-25 13:17:49
Introduction,nformation (the play’s aesthetic perspective) and an ideological position in relation to that information’.. In the words of Roger Hudson, if a play ‘doesn’t criticize the political and social system of the country it is in fact supporting it and indirectly (or directly) propagandizing for描述 发表于 2025-3-25 18:50:28
The Hidden Situation, dramatist’s more traditional, naturalistic points of departure. As Katharine J. Worth writes, ‘Ibsen and Shaw had made prolonged discussion of events seem the natural theatrical mode’, and subsequent British playwrights often used this to express a Chekhovian mood of nostalgic decay, particularly ‘collagen 发表于 2025-3-25 21:59:29
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,Beyond ‘Good’ and ‘Evil,rgaretta D’Arcy and Edward Bond. Both Arden and Bond were always concerned with dramatizing social problems, undercutting the self-proclaimed forces of ‘law and order’ and demonstrating the human tragedies which are the direct result of their power; but both writers also proceeded to develop increas改变 发表于 2025-3-26 08:16:20
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Conclusions,nant impulse. As Jonathan Swift recognized: ‘Satyr is a sort of ., wherein Beholders do generally discover every body’s Face but their Own; which is the chief Reason for that kind of Reception it meets in the World, and that so very few are offended with it’.. Eavesdropping on interval conversations