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发表于 2025-3-25 06:11:53
https://doi.org/10.1007/978-3-8349-9298-7s have been financially profitable on an international scale, whether their output consists of bio-pics or comedies. The bio-pics discussed here either hinge on a female central character (., .), or offer prominence to female characters as in Taylor-Wood’s .. However, the category that dominates is
单调女
发表于 2025-3-25 09:39:28
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恩惠
发表于 2025-3-25 12:40:50
https://doi.org/10.1007/978-3-8349-9298-7ress societal concerns has proven available and beneficial. Financial support for higher budget and more mainstream filmmaking tends to be derived from Hollywood and, sadly, only a minority of women make blockbusters, particularly in the action and fantasy genres. Britain’s long-standing tradition o
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发表于 2025-3-25 18:22:16
Women Directors and Documentary Cinema, about climate change and environmental issues do so with a personal conviction, sometimes, as with Franny Armstrong, continuing to create awareness beyond the original project, or similarly, as in Penny Woolcock’s mentoring enterprise, maintaining support for their projects. When women filmmakers p
habile
发表于 2025-3-25 23:09:30
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运动性
发表于 2025-3-26 03:36:42
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tic-douloureux
发表于 2025-3-26 07:23:29
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柏树
发表于 2025-3-26 11:08:31
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凌辱
发表于 2025-3-26 15:44:42
Book 2017 The second part of the book examines the innovation, creativity and resourcefulness of British female film directors, as well as the considerable variety of films that they produce, selecting specific examples for analysis in the process.
ADJ
发表于 2025-3-26 18:50:09
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