Heresy 发表于 2025-3-30 09:34:52

https://doi.org/10.1007/978-3-642-92560-3l the fault of ‘the flappers. and the aged gentlemen who loved “Hilloa Twaddle!”’ He exonerated the soldier who, ‘being a good-natured man, went to see those appeals to the immature and the senile simply to humour civilians’.. Ten years later Ervine was describing the ‘womanisation’ of theatre

枫树 发表于 2025-3-30 13:34:09

https://doi.org/10.1007/978-3-642-92560-3ch the poet imagines a tank ‘lurching’ down the aisle of a raucous variety theatre to wreak havoc on both its complacent audience and the ‘harlots’ in its chorus line.. On the one hand, it is a neurasthenic fantasy, on the other it is a statement which encapsulates two features that came to define l

compel 发表于 2025-3-30 17:01:15

http://reply.papertrans.cn/20/1912/191177/191177_53.png

不适 发表于 2025-3-31 00:08:11

http://reply.papertrans.cn/20/1912/191177/191177_54.png

古文字学 发表于 2025-3-31 04:01:03

Tilo Pfeifer,Heinz-Reiner Wollersheiminment Tax, the YMCA built two Anzac ‘Huts’ in London: the Shakespeare Hut for New Zealanders and the Aldwych for Australians, providing shelter and ‘suitable’ entertainment for servicemen on brief leave from the Front. The Shakespeare Hut was built to commemorate the playwright’s Tercentenary on la

esoteric 发表于 2025-3-31 08:16:17

http://reply.papertrans.cn/20/1912/191177/191177_56.png
页: 1 2 3 4 5 [6]
查看完整版本: Titlebook: British Theatre and the Great War, 1914 - 1919; New Perspectives Andrew Maunder Book 2015 The Editor(s) (if applicable) and The Author(s) 2