骗子
发表于 2025-3-25 06:48:20
Roland Mattmüller,Julia Elspaß,Julia Matheisut the nature of live-action mainstream broadcast comedy as it did animation. In retrospect, we can observe that this is not just an important animated show, but actually a key contemporary narrative. This was a text that reacted to very a specific media and cultural environment and it operated within a very particular aesthetic strategy.
MEET
发表于 2025-3-25 09:48:27
Lena Rothe,Julia Naskrent,Jörg Westphalshows functioned within a marketplace appreciably altered by deregulation which overtly courted the mainstream. Despite these texts’ supposedly challenging nature, these were narratives that were actually constructed with an eye towards accessibility and with an aim to achieve a more centralised position within network schedules.
通便
发表于 2025-3-25 15:33:38
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座右铭
发表于 2025-3-25 17:26:26
impsons broadcast landscape. Shows like Monkey Dust, Modern Toss and Stressed Eric not only reflected the times but they ushered in an era of ambition and belief in British adult animation.978-1-349-46122-6978-1-137-33094-9
Left-Atrium
发表于 2025-3-25 21:48:54
Julia Naskrent,Jonas Vierschilling-quantified aspect of UK TV animation. This is a necessary book that explores an evolution of British television mainstream animation and an intersection that took place within a contemporary UK TV scheduling culture. For as the 20th century moved into the 21st, a range of comic animations emerged o
改进
发表于 2025-3-26 03:41:02
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landmark
发表于 2025-3-26 08:06:43
Julia Naskrent,Jonas Vierschillinganimation becomes more self-conscious, more explicitly fixated on inter- and extra-textual modes within narratives and embraces a permeable, detached sense of distance and irony. When these factors are measured against the abandonment of social and cultural progression that underpinned the previous
支柱
发表于 2025-3-26 08:29:50
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Clumsy
发表于 2025-3-26 12:42:26
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Gratuitous
发表于 2025-3-26 18:27:52
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