伟大
发表于 2025-3-28 17:20:03
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过时
发表于 2025-3-28 22:35:58
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SEEK
发表于 2025-3-29 01:27:51
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theta-waves
发表于 2025-3-29 06:48:14
Introduction: Into the Eurozone: European Dimensions of British Romanticism, Then and Now,the Scenes of War’; overall coverage, however, remains minimal. Nicholas Roe’s . allots ten pages of over 700 to one essay on ‘Europe’ by Christoph Bode, while Michael Ferber’s . omits Scandinavia, Holland and Belgium, Portugal and almost the whole of Eastern Europe (only containing entries on Polan
MODE
发表于 2025-3-29 10:19:45
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鞭子
发表于 2025-3-29 14:30:54
,Cross-channel Discourses of Sensibility: Madeleine de Scudéry’s , and Charlotte Lennox’s ,Lennox was obviously not working alone. Like her, many translators of the day were also noted novelists, and among them were Eliza Haywood, Tobias Smollett, Oliver Goldsmith and Frances Brooke. Mary Helen McMurran’s survey of novel publishing 1660–1779 finds that translations of French romances and
知道
发表于 2025-3-29 18:31:49
: Joseph Priestley Abroad and Romantic Poetics,standing they had any opinion, who professed to believe Christianity’, he wrote; and the continual necessity for him to reply to them provoked his . (1780). However, Priestley continued, ‘I was soon … tired of Paris, and chose to spend my evenings at the hotel, in company with a few literary friends
继承人
发表于 2025-3-29 19:53:52
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过滤
发表于 2025-3-30 02:33:01
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否决
发表于 2025-3-30 04:32:27
Blake and the European (Pre) History of Melodrama: Beyond the Borders of Time and Stage,e genre beyond the stage and prompts a rethinking of its origins. This pan-European perspective of melodrama, which ties this unexpected figure together with earlier practitioners, reorients its narrative, giving credit to its prehistory as more than just prehistory. While there are almost certainly