傀儡
发表于 2025-3-26 22:38:07
https://doi.org/10.1007/978-3-8349-8047-2y in twentieth-century British writing, producing poetry and prose (and drama and film) of great power and innovativeness. Many of the major Modernist writers of the 1920s were still active throughout the subsequent decade, including T. S. Eliot, W. B. Yeats, Ezra Pound, Virginia Woolf and James Joy
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发表于 2025-3-27 04:34:41
https://doi.org/10.1007/978-3-322-81358-9nt of the beginnings of the movement in France and summary of the principal theoretical texts about surrealism by André Breton and others. In that work Gascoyne cagily suggests that ‘it is within the bounds of possibility that a surrealist group will be founded shortly in London’.. Within a year, su
山崩
发表于 2025-3-27 08:55:14
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AXIOM
发表于 2025-3-27 12:39:07
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确定
发表于 2025-3-27 14:53:39
Introduction: Poetry, Society and Tradition,ndly, what is the role of a poetic tradition? As each essay raises one or both of these issues in its own way it is not the purpose of this introduction to pre-empt them by summary, rather it is to provide a general context in which the various arguments may be understood.
一再遛
发表于 2025-3-27 18:31:30
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exceptional
发表于 2025-3-27 22:58:27
Lyrics of the First World War: Some Comments,ly on in its history, and that publication in anthologies was both cause and consequence of this way of perceiving it; and secondly, that the characteristic lyric forms which the trench poets utilised are a necessary aspect of their meaning.
他日关税重重
发表于 2025-3-28 02:05:07
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服从
发表于 2025-3-28 09:49:29
The Poetry of the Second World War,oems — among them Henry Reed and F. T. Prince — did not produce the same substantial body of work. Since then, Keyes has faded fast, leaving interest divided between Douglas, polished and theatrical, and Lewis, more anguished and complex.
infelicitous
发表于 2025-3-28 11:36:25
https://doi.org/10.1007/978-3-8349-8047-2f criticism; and they constituted for many critics the poles within which poetic writing itself was deemed possible. So overpowering was their prestige that few thought odd the view that the significant history of English literature was to be found in the development of the lyric.