ineptitude
发表于 2025-3-25 06:32:31
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社团
发表于 2025-3-25 07:32:09
https://doi.org/10.1057/9781137339928fiction; Great Britain; Imagination; stage; British and Irish Literature
Nonporous
发表于 2025-3-25 12:01:34
978-1-349-46458-6Frederick Burwick and Manushag N. Powell 2015
ASTER
发表于 2025-3-25 17:06:31
, exploration, and naval conflict. British Pirates in Print and Performanc e explores representations of pirates through dozens of stage performances, including adaptations by Byron, Scott, and Cooper.978-1-349-46458-6978-1-137-33992-8
为敌
发表于 2025-3-25 22:24:30
Netzwerkstrukturen in der Snowboardszene,ng from musical comedy and harlequinades to seagoing gothic melodrama. All drama of the romantic period was musical drama, but there were vast differences in how the music might be deployed: sometimes to conjure mood, sometimes in dance and song, sometimes in the fulsome exposition of operatic performance.
Introvert
发表于 2025-3-26 02:35:20
Markenmanagement von IT-Unternehmenhed himself to Anne Bonny. But none of these men, not even the early versions of Gow/Goffe, who kept plundering right to the end, experienced love as the one weakness that must undo them as pirates; a wife to them was a prize and a triumph, not a curse.
充气球
发表于 2025-3-26 06:42:00
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鉴赏家
发表于 2025-3-26 11:02:46
Pirate Sex,hed himself to Anne Bonny. But none of these men, not even the early versions of Gow/Goffe, who kept plundering right to the end, experienced love as the one weakness that must undo them as pirates; a wife to them was a prize and a triumph, not a curse.
Allure
发表于 2025-3-26 12:56:30
, exploration, and naval conflict. British Pirates in Print and Performanc e explores representations of pirates through dozens of stage performances, including adaptations by Byron, Scott, and Cooper.978-1-349-46458-6978-1-137-33992-8
AIL
发表于 2025-3-26 17:56:55
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