ineptitude 发表于 2025-3-25 06:32:31
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https://doi.org/10.1057/9781137339928fiction; Great Britain; Imagination; stage; British and Irish LiteratureNonporous 发表于 2025-3-25 12:01:34
978-1-349-46458-6Frederick Burwick and Manushag N. Powell 2015ASTER 发表于 2025-3-25 17:06:31
, exploration, and naval conflict. British Pirates in Print and Performanc e explores representations of pirates through dozens of stage performances, including adaptations by Byron, Scott, and Cooper.978-1-349-46458-6978-1-137-33992-8为敌 发表于 2025-3-25 22:24:30
Netzwerkstrukturen in der Snowboardszene,ng from musical comedy and harlequinades to seagoing gothic melodrama. All drama of the romantic period was musical drama, but there were vast differences in how the music might be deployed: sometimes to conjure mood, sometimes in dance and song, sometimes in the fulsome exposition of operatic performance.Introvert 发表于 2025-3-26 02:35:20
Markenmanagement von IT-Unternehmenhed himself to Anne Bonny. But none of these men, not even the early versions of Gow/Goffe, who kept plundering right to the end, experienced love as the one weakness that must undo them as pirates; a wife to them was a prize and a triumph, not a curse.充气球 发表于 2025-3-26 06:42:00
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Pirate Sex,hed himself to Anne Bonny. But none of these men, not even the early versions of Gow/Goffe, who kept plundering right to the end, experienced love as the one weakness that must undo them as pirates; a wife to them was a prize and a triumph, not a curse.Allure 发表于 2025-3-26 12:56:30
, exploration, and naval conflict. British Pirates in Print and Performanc e explores representations of pirates through dozens of stage performances, including adaptations by Byron, Scott, and Cooper.978-1-349-46458-6978-1-137-33992-8AIL 发表于 2025-3-26 17:56:55
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