corpuscle
发表于 2025-3-26 21:45:46
Gothic Fiction: English Terror and Carnality,h works as Keats’ ‘La Belle Dame sans Merci’ and Coleridge’s ‘Christabel’. The poet Percy Bysshe Shelley nurtured a fascination with horror and cruelty which was to prove (as we shall see) highly influential, while the haunted novels of Ann Radcliffe provided several key elements. Similarly (in othe
Countermand
发表于 2025-3-27 03:37:37
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荣幸
发表于 2025-3-27 06:13:30
Undermining British Cinema: Gothic Horror in the 1930s and 1940s and Censorship,hat might have been coined for the prissy British reaction to the first wave of horror films in the 1930s and 1940s; even the now-camp, pantomimic Grand Guignol sequence of Tod Slaughter films (notably . (1936)) provoked outrage. No ice was cut in the wave of general disapproval for early examples o
时代错误
发表于 2025-3-27 13:07:35
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笨拙的我
发表于 2025-3-27 16:23:34
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中世纪
发表于 2025-3-27 19:09:09
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EPT
发表于 2025-3-28 00:01:11
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笼子
发表于 2025-3-28 02:36:16
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Traumatic-Grief
发表于 2025-3-28 06:29:25
Fresh Blood or Exhaustion?: The 1970s to the Turn of the Century,es with a great deal of British crime fiction an impulse towards the restoration of the status quo — but only after the latter has been sorely (and excitingly) tested by the eruption of some attractively destructive primordial force. But when that primordial force has been something other than a min
抓住他投降
发表于 2025-3-28 14:18:46
The Legacy: Gothic Influence on Television, TV, is a prestigious one. Other fondly remembered dramas include the popular adaptations of Charles Dickens’ ghost stories and stand-alone single plays, such as Nigel Kneale’s genre-stretching . Kneale’s significant influence on many of his successors continues to this day with the revived ., which