grovel 发表于 2025-3-23 12:30:15

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间接 发表于 2025-3-23 14:10:15

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勤劳 发表于 2025-3-23 20:28:31

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IVORY 发表于 2025-3-24 01:50:22

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允许 发表于 2025-3-24 05:49:59

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perjury 发表于 2025-3-24 08:33:46

https://doi.org/10.1007/978-1-349-19317-2America; Britain; cinema; Great Britain; identity; Nation; society; women

agenda 发表于 2025-3-24 13:17:17

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monologue 发表于 2025-3-24 15:12:43

Hoover: The Press and Presidential Failure,ained a vital source of ‘evidence’ for providing substance to the oral history on which they were weaned. For such people, in their formative years, moving pictures provided direct access to the past, the nearest they could get to the experience which had done so much to shape the world into which t

Pamphlet 发表于 2025-3-24 20:32:34

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恶意 发表于 2025-3-24 23:10:48

Managing the Psychological Contractng the war years it was only 42. The industry had suffered a serious slump in 1937, resulting in numerous bankruptcies, severe cutbacks and a considerable reduction in the number of films made. But there was another reason for the decline in output. The 1927 Films Act had imposed on the American com
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查看完整版本: Titlebook: Britain and the Cinema in the Second World War; Philip M. Taylor (Lecturer in International Histor Book 1988 Palgrave Macmillan, a divisio