渗漏
发表于 2025-3-21 19:22:24
书目名称Bret Easton Ellis影响因子(影响力)<br> http://impactfactor.cn/if/?ISSN=BK0190708<br><br> <br><br>书目名称Bret Easton Ellis影响因子(影响力)学科排名<br> http://impactfactor.cn/ifr/?ISSN=BK0190708<br><br> <br><br>书目名称Bret Easton Ellis网络公开度<br> http://impactfactor.cn/at/?ISSN=BK0190708<br><br> <br><br>书目名称Bret Easton Ellis网络公开度学科排名<br> http://impactfactor.cn/atr/?ISSN=BK0190708<br><br> <br><br>书目名称Bret Easton Ellis被引频次<br> http://impactfactor.cn/tc/?ISSN=BK0190708<br><br> <br><br>书目名称Bret Easton Ellis被引频次学科排名<br> http://impactfactor.cn/tcr/?ISSN=BK0190708<br><br> <br><br>书目名称Bret Easton Ellis年度引用<br> http://impactfactor.cn/ii/?ISSN=BK0190708<br><br> <br><br>书目名称Bret Easton Ellis年度引用学科排名<br> http://impactfactor.cn/iir/?ISSN=BK0190708<br><br> <br><br>书目名称Bret Easton Ellis读者反馈<br> http://impactfactor.cn/5y/?ISSN=BK0190708<br><br> <br><br>书目名称Bret Easton Ellis读者反馈学科排名<br> http://impactfactor.cn/5yr/?ISSN=BK0190708<br><br> <br><br>
Foment
发表于 2025-3-21 20:54:53
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dowagers-hump
发表于 2025-3-22 00:54:56
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figure
发表于 2025-3-22 06:38:53
Missing Persons: Melancholy as Symptom in , and , “essentially a media-made package: all fake flash and punk and menace” (., 8). The media objectification of Ellis, Jay McInerney, and Tama Janowitz; ironically mirrored in reality the reification of the human subject into celebrity culture that preoccupies much of Ellis’s fiction. He parodies his status as a young celebrity author in .:
NIB
发表于 2025-3-22 11:45:26
2634-579X ng contemporary culture, which offers new paths of understanding and ways of critiquing the contemporary author‘s place in the relations of production.978-1-349-29776-4978-0-230-33916-3Series ISSN 2634-579X Series E-ISSN 2634-5803
类人猿
发表于 2025-3-22 14:53:55
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MAG
发表于 2025-3-22 17:47:10
Management of Open Globe Injuries as “the impossibility of presenting the present.. The novel attests to this paradox in representing the present. However, despite the social conditions functioning to obstruct representation, there is nevertheless always a virtual space in which such representation takes place. Blanchot, Hartman observes, identified it with literature.
aggravate
发表于 2025-3-22 23:08:52
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brother
发表于 2025-3-23 02:36:40
An Inner Critique: Commodity Fetishism, Systemic Violence, and the Abstract Mutilated Subject in ,,he novel disinters how this subject-apparatus merger resulted in the liquidation of subjectivity. On a more micro and culturally specific level, the book critiques the cultural milieu of New York in the 1980s through subverting the icon of the city’s prosperity: the Wall Street banker.
领先
发表于 2025-3-23 06:03:57
Twenty-First-Century Gothic (or post-9/11 Fatalism): Self-Parody, Reification, and the Becoming Rea as “the impossibility of presenting the present.. The novel attests to this paradox in representing the present. However, despite the social conditions functioning to obstruct representation, there is nevertheless always a virtual space in which such representation takes place. Blanchot, Hartman observes, identified it with literature.