Ensign
发表于 2025-3-21 19:17:17
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hardheaded
发表于 2025-3-21 23:39:39
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具体
发表于 2025-3-22 00:35:41
Pursuing Success in Season Two,nce — confronting Tuco. When Tuco asks for a name, Walt baptises himself ‘Heisenberg’. This not only evokes the difficulties of perception and knowledge posed by the uncertainty principle, but also implies that Walt is living-out a perhaps long-imagined fantasy of scientific recognition and fame, on
蒸发
发表于 2025-3-22 07:01:17
Inheritance and Legacy in Season Four,n in their capacity to ‘accept what cannot be unsaid or undone’.. Another case is Jacques Tourneur‘s . (1947), in which the characters’ histories leave them very little, but crucially some, just enough, room to act and so to retrieve a degree of their capacity to give intentional and therefore meani
粘
发表于 2025-3-22 12:09:18
Nieves Pérez-Solórzano Borragáneserve of cinema. In Jason Jacobs’s words, the validation of some television dramas in terms of their so-called ‘cinematic’ qualities can be understood as responding to the idea that television fiction had been ‘textually anaemic when compared to film or literature’..Readily available statements by
expound
发表于 2025-3-22 16:33:38
Anthea Connolly,Stephen Day,Jo Shawome in episode four (‘Cancer Man’, 1.4). Jesse’s unexpected and somewhat unwelcome visit reveals, in his promising childhood drawings, a past of diligent application; he tries to recover this quality of character in episode five (‘Gray Matter’, 1.5) through his self-guided attempts to meet Walt’s st
Definitive
发表于 2025-3-22 17:47:50
https://doi.org/10.1007/1-4020-3090-8nce — confronting Tuco. When Tuco asks for a name, Walt baptises himself ‘Heisenberg’. This not only evokes the difficulties of perception and knowledge posed by the uncertainty principle, but also implies that Walt is living-out a perhaps long-imagined fantasy of scientific recognition and fame, on
搜寻
发表于 2025-3-23 00:40:51
https://doi.org/10.1007/1-4020-3090-8n in their capacity to ‘accept what cannot be unsaid or undone’.. Another case is Jacques Tourneur‘s . (1947), in which the characters’ histories leave them very little, but crucially some, just enough, room to act and so to retrieve a degree of their capacity to give intentional and therefore meani
allude
发表于 2025-3-23 01:59:09
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少量
发表于 2025-3-23 09:08:12
Palgrave Close Readings in Film and Televisionhttp://image.papertrans.cn/b/image/190503.jpg