侵略者 发表于 2025-3-23 11:15:38

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诱惑 发表于 2025-3-23 14:16:26

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JOT 发表于 2025-3-23 18:46:29

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尾随 发表于 2025-3-23 23:09:44

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SPASM 发表于 2025-3-24 05:39:51

https://doi.org/10.1007/978-1-84882-575-8ginga, connecting this sinuous and offbeat way of moving to the African presence in Brazilian culture and society. While I argued that anyone may, theoretically, step into the “Brazilian” swagger, I also postulated that the continuous deployment of the ginga aesthetic through movement shapes how peo

言外之意 发表于 2025-3-24 10:22:27

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Atrium 发表于 2025-3-24 12:53:32

Nuclear Plant Pressure Transmitters,diately after Brazil’s proclamation of independence from Portugal, resulted in the publication of one of the most comprehensive portrayals of nineteenth-century daily life of that former colony. Containing over 100 images, Rugendas’ ethnography houses the earliest known visual record of a capoeira g

束缚 发表于 2025-3-24 16:52:28

https://doi.org/10.1007/978-3-540-33704-1“O Que é Que a Baiana Tem?” (“What is it about the Baiana?”).. Briefly, the song pays homage to the . (i.e. a black female ambulatory vendor) who “typically” sells Afro-Brazilian food on the streets of urban centers. Miranda’s impersonation of this market woman within a modern casino show illustrate

antedate 发表于 2025-3-24 20:15:14

Nuclear Plant Temperature Instrumentation,chado de Assis. There, the founder of Brazil’s Academy of Literature (.) told the story of Porfílio, a working-class man who falls in love with a ballroom dancer named Gloria. Porfílio is enchanted, Machado de Assis tells us, by Gloria’s way of dancing, not by her looks. This tropical version of the

冰雹 发表于 2025-3-25 00:45:56

https://doi.org/10.1007/978-3-540-33704-1ission, the company premiered its latest work. Each piece consisted of almost 45 minutes of uninterrupted dancing. Though the company’s innovative way of moving on stage touched me deeply, leaving a long-lasting impression in my young mind, I was equally moved to see Shell’s logo splashed all over t
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查看完整版本: Titlebook: Brazilian Bodies and Their Choreographies of Identification; Swing Nation Cristina F. Rosa Book 2015 The Editor(s) (if applicable) and The