ENACT
发表于 2025-3-25 04:35:41
Introduction,re of Bond constitutes a particular type of cultural phenomenon. Our purpose, in examining the organisation of this phenomenon and the means by which it has been produced, is to convey something of the scope and reach of Bond’s popularity as well as to specify and account for the peculiar nature of his appeal as a popular hero.
MUMP
发表于 2025-3-25 09:09:31
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分开如此和谐
发表于 2025-3-25 13:55:32
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Expertise
发表于 2025-3-25 18:24:03
Introduction, detail. Rather, our interest lies in the figure of Bond, in the diverse and changing forms in which it has been produced and circulated, and in the varying cultural business that has been, conducted around, by means of and through this figure during the now considerable slice of post-war history in
有助于
发表于 2025-3-25 20:22:45
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MAG
发表于 2025-3-26 00:08:56
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APO
发表于 2025-3-26 06:51:16
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绊住
发表于 2025-3-26 09:05:55
Bonded Ideologies,urn the next page.’. In this sense, perhaps, Fleming was his own ideal reader, the reader who would want, as he put it, to ‘turn the page’, to find out what happens next.. Although in itself no more than a happy coincidence, this symmetry between Fleming’s account of his experience of the process of
Gentry
发表于 2025-3-26 13:39:49
The Transformations of James Bond,t transformation seems relatively simple. A number of Ian Fleming’s books were made into films, beginning with . in 1962 and continuing on an annual basis with . (1963), . (1964) and . (1965). There was nothing new in this. The translation of literary or dramatic fiction could be said to be commonpl
orient
发表于 2025-3-26 19:41:07
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