Permanent 发表于 2025-3-23 10:29:57

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排他 发表于 2025-3-23 17:02:28

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轻浮思想 发表于 2025-3-23 19:23:29

No Country for Young Women:Empowering Emilia in Vishal Bhardwaj’s

使闭塞 发表于 2025-3-24 00:42:38

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colostrum 发表于 2025-3-24 05:24:07

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热心助人 发表于 2025-3-24 09:02:37

Comedies of Errors: Shakespeare,Indian Cinema, and the Poetics of Mistaken Identityus to take pleasure in the incongruous and inappropriate emotional responses that are solicited by situations that are erroneously appraised and understood, from mistakenly placed or seemingly inappropriate affection to misplaced anger or rage.

Mindfulness 发表于 2025-3-24 12:56:48

Bollywood Battles the Bard: The Evolving Relationship between Film and Theater in , Wallahoductions and popular Hindi cinema. . balances Shakespeare’s texts with the cinematic and cultural traditions of the Bollywood industry to comment on, and obliquely critique, the unique historical moment that bridges the colonial period and the emerging postcolonial nation.

俗艳 发表于 2025-3-24 17:28:10

,Schlussbetrachtung und Resümee,oductions and popular Hindi cinema. . balances Shakespeare’s texts with the cinematic and cultural traditions of the Bollywood industry to comment on, and obliquely critique, the unique historical moment that bridges the colonial period and the emerging postcolonial nation.

cuticle 发表于 2025-3-24 19:40:28

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airborne 发表于 2025-3-25 00:36:16

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查看完整版本: Titlebook: Bollywood Shakespeares; Craig Dionne (professor of Literary and Cultural T Book 2014 Craig Dionne and Parmita Kapadia 2014 cinema.essay.fi