易发怒
发表于 2025-3-23 11:03:15
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habitat
发表于 2025-3-23 16:08:09
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脆弱吧
发表于 2025-3-23 21:32:42
https://doi.org/10.1057/9780230584280America; Christianity; dance; empire; essay; knowledge; miniature; notation; ontology; painting; poem; religion
四指套
发表于 2025-3-23 23:09:14
978-1-349-36487-9Palgrave Macmillan, a division of Macmillan Publishers Limited 2009
铁塔等
发表于 2025-3-24 06:14:54
https://doi.org/10.1007/978-3-531-90495-5It was only at the last stage of redrafting that Blake hit on the word ‘charter’d’ for the opening of ‘London’. In the early drafts, the poem began:
cancellous-bone
发表于 2025-3-24 08:40:04
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frivolous
发表于 2025-3-24 12:04:24
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仲裁者
发表于 2025-3-24 15:24:18
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PAD416
发表于 2025-3-24 20:51:45
Introduction,rench and Industrial Revolutions. Britain experienced unprecedented levels of mobilization, chronic food shortages, riots and the repression of civil liberties in ‘Pitt’s terror’. Blake recoiled with horror from ‘the English Crusade against France’ and the consequences of living in a militarized sta
约会
发表于 2025-3-25 02:09:58
Blake and the Ontology of Empire, David Erdman’s groundbreaking work ., which in effect established this field of enquiry have been criticized and dispensed with, but many others have been substantially altered, augmented, elaborated and improved upon. Work on Blake’s even more complicated relationship to religion and the Bible is