Decongestant
发表于 2025-3-25 04:50:32
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dialect
发表于 2025-3-25 08:59:13
SuAndi,o material from The Live Art Archives (University of Bristol Theatre Collection) and the Black Archive and Collection (University of Central Lancashire), as well as a personal interview. SuAndi’s biography intersects with the histories of various northern England arts collectives, such as Black Arts
oblique
发表于 2025-3-25 13:20:31
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Hemiplegia
发表于 2025-3-25 18:20:55
Zentrale Kraftsysteme in der Ebenee of the intersectional identity (‘black woman’), material histories, and creative practices that constitute the book’s subject and scope..The titular terms ‘intersectionality’, ‘archives’, and ‘aesthetics’ are then articulated more fully..The concept of ‘intersectionality’—the confluence of racism
泥土谦卑
发表于 2025-3-25 23:52:49
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宽敞
发表于 2025-3-26 02:44:19
,Träger auf nachgiebiger Bettung,chelle Matherson, Sherma Springer, A-dZiko Simba, Hazel Williams, and administrator Marjorie James. In the process of telling their story, this chapter also remembers the lively wider networks of Black arts in twentieth-century Britain, including the Organisation for Black Art Advancement and Leisur
hidebound
发表于 2025-3-26 04:37:10
https://doi.org/10.1007/978-3-662-25421-9first black mime company, Black Mime Theatre (BMT), from its inception in 1984 through to its dissolution in 1998. The chapter is informed by the company’s administrative records and funders’ files, as well as an interview with BMT’s Artistic Director, Denise Wong. Production recordings and archival
慢跑鞋
发表于 2025-3-26 12:20:21
Dynamik der ebenen Bewegung des Körpersand the Women’s Theatre Collection (University of Bristol), as well as a personal interview. Zindika’s biography connects with a wider history of 1990s black British creativity and activism, featuring Peckham Black Women’s Group, writers’ collective Nka Iban, Black Theatre Co-operative, Black Theatr
揭穿真相
发表于 2025-3-26 12:57:20
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Buttress
发表于 2025-3-26 18:20:34
https://doi.org/10.1007/978-3-662-37844-1s theatre through the 1980s and 1990s, before turning its attention to the twenty-first century, where it celebrates the increased publication and staging of non-naturalistic drama..The central section focuses on popular contemporary playwright debbie tucker green, mapping her relationship with the