PANT
发表于 2025-3-23 11:40:52
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flaggy
发表于 2025-3-23 16:03:14
https://doi.org/10.1007/978-3-658-25544-2y Eliot, Pound and Yeats. Since these central figures of modernist poetry exerted so tremendous an influence on successive poets, it seemed inevitable that those seeking a style in the 1930s and 1940s would learn from modernism, writing in the styles that the modernists made familiar.
公猪
发表于 2025-3-23 18:33:38
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斗志
发表于 2025-3-24 01:16:34
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异端
发表于 2025-3-24 03:35:38
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施舍
发表于 2025-3-24 08:59:28
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BOLUS
发表于 2025-3-24 11:08:51
Introduction: Tumbles and Leaps,y Eliot, Pound and Yeats. Since these central figures of modernist poetry exerted so tremendous an influence on successive poets, it seemed inevitable that those seeking a style in the 1930s and 1940s would learn from modernism, writing in the styles that the modernists made familiar.
EXULT
发表于 2025-3-24 15:37:58
Beginning in Wisdom,Berryman for growth of talent. The reception given to . was as great as that which had been given to Schwartz’s .. However, by 1944 such acclaim was beginning to turn against Schwartz. From the first Lowell seemed greater than the other poets of his generation; . showed major talent that had the pot
烦扰
发表于 2025-3-24 21:54:30
Towards a Rhetoric of Destitution,ted work from his preceding books and also included recent work appearing for the first time in book form. Like . seems to look backwards as well as forward. Several elements of Berryman’s later poetry are introduced in this book — notably, in ‘The Ball Poem’ and ‘The Nervous Songs’.
Optic-Disk
发表于 2025-3-24 23:16:52
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