Customary 发表于 2025-3-23 11:19:08

,Beyond ,: Shaw, Stopes, and Female Desire in the Drama Between the Wars, 1923–1934,an economic need to eliminate them from the workforce. Hadfield concludes that even so, his plays support an institution that is reformed to accommodate independent women, empowered by their experiences and their need for something more from married love.

精美食品 发表于 2025-3-23 15:41:29

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PALSY 发表于 2025-3-23 21:11:08

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monopoly 发表于 2025-3-24 01:49:19

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PHON 发表于 2025-3-24 02:48:48

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Servile 发表于 2025-3-24 06:50:57

D. Thomson,A. M. Zbinden,D. Westenskowfrom the scars of war, but marriage in its pre-war form was equally intolerable. Shaw thus used his twin concepts of the Life Force and Creative Evolution to help people see beyond the present and to fashion a change that would make marriage—and the nation—stronger, and more independent.

仪式 发表于 2025-3-24 10:54:35

https://doi.org/10.1007/978-3-642-61355-5an economic need to eliminate them from the workforce. Hadfield concludes that even so, his plays support an institution that is reformed to accommodate independent women, empowered by their experiences and their need for something more from married love.

Stress 发表于 2025-3-24 16:04:56

Book 2017Bernard Shaw’s major works. It also connects Shaw’s own experiences of love and marriage to the themes that emerge in his works, showing how his personal relationships in and out of matrimonial bonds change the ways his characters enter and exit marriages and misalliances. While providing a wealth o

anus928 发表于 2025-3-24 20:31:32

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dominant 发表于 2025-3-25 01:58:07

,Matrimonial Partnerships and Politics in Three Late Plays: “,”,, ,, and ,,Matthew Yde considers .,” ., and .. While acknowledging that Shaw’s views on marriage are various and often contradictory, he suggests that the best place to look for Shaw’s overriding opinion on the topic is in his own childless yet seemingly happy marriage to Charlotte, as reflected in . and ..
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查看完整版本: Titlebook: Bernard Shaw‘s Marriages and Misalliances; Robert A. Gaines Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Acting.Directin