Legion 发表于 2025-3-23 12:10:09
Äquivalenz und Reduktion von Kräftegruppen volumes that his career as a playwright was accidental, begun out of a determination to ‘manufacture the evidence’ in the case for the New Drama in England, and continued out of habit. He paints an amusing picture of himself as an ageing and tiring journalist driven to the expedient of collecting hflimsy 发表于 2025-3-23 17:22:46
Äquivalenz und Reduktion von Kräftegruppenle New Drama, it has long been established as little more than the truth. The techniques by which Shaw turned older theatrical forms to his own ends have been demonstrated again and again. Martin Meisel, in particular, has shown how thoroughly Shaw drew upon the nineteenth-century theatrical traditi注意力集中 发表于 2025-3-23 18:50:45
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Äquivalenz und Reduktion von Kräftegruppenerhaps his greatest play. It is interesting to speculate on the reasons for this rise in its reputation. Formally, it represents something of a new departure for Shaw, with a technique and structure which can be compared with more modern dramatists. Its use of symbolism, its allusiveness, its free a正式演说 发表于 2025-3-24 13:29:25
Parallele Kräfte und Schwerpunktus now rise up and go out and fight the Hundred Years War’. Anachronism is of the essence in any dramatisation of history. We can only see what we can from where we are. To us the Middle Ages are the Middle Ages, after the Dark Ages, before the Renaissance; however little aware the soldiers at CrécyFirefly 发表于 2025-3-24 14:56:39
Bewegung eines materiellen Punktesl paint, Michael Angelo’s statues all marble, Beethoven’s symphonies are all noise’.. A deft defence. But the criticism is not quite as fatuous as Shaw makes it seem. His plays are made up, to a greater extent than those of other dramatists, of people talking — conversations, arguments, debates, repBRIEF 发表于 2025-3-24 19:10:40
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https://doi.org/10.1007/978-1-349-17542-0Britain; George Bernard Shaw; literature; British and Irish Literature