cultivated 发表于 2025-3-30 10:34:05

Pacts of Embodiment: A Comparative Ethnography of Filmmakers’ Gesturesedits at the end of a film shows how many people have been involved and gives the historian clues to investigate the collective nature of filmmaking. For the ethnographer, focusing on the working gestures of filmmakers when they are devising a shot is a good way of opening the black box of the filmm

我邪恶 发表于 2025-3-30 13:42:07

Film Production as a Palimpsestions of the past, I believed it was necessary to go back to the creative process, enter the “black box” of the “film under construction,” and unearth its layers of writing.. This first task was centered on several predefined phases of the genesis of films such as the commission, funding, and screenp

alcoholism 发表于 2025-3-30 20:23:21

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GENUS 发表于 2025-3-30 23:11:50

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PALMY 发表于 2025-3-31 04:38:09

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PTCA635 发表于 2025-3-31 05:41:25

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defuse 发表于 2025-3-31 11:16:12

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galley 发表于 2025-3-31 14:16:37

Subjects at Work: Investigating the Creative Labor of British Screenwriterss are made as creative subjects, subjects who negotiate with commissioners and other filmmakers and creative workers, negotiate their relationships with Hollywood, and negotiate their rights and positions. The first section will begin to build a framework for analyzing screenwriting careers in Londo

有毒 发表于 2025-3-31 17:59:47

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排他 发表于 2025-3-31 21:42:31

Nonnormal Operatorsthat, that is, we mean in particular those operators which are in some sense connected or bear a certain resemblance to normal ones. Moreover, most of these classes coincide with normal operators on finite-dimensional spaces.
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查看完整版本: Titlebook: Behind the Screen; Inside European Prod Petr Szczepanik,Patrick Vonderau Book 2013 Petr Szczepanik and Patrick Vonderau 2013 Europe.film.fi