Parley 发表于 2025-3-23 13:07:46
http://reply.papertrans.cn/19/1820/181977/181977_11.png实施生效 发表于 2025-3-23 14:49:50
http://reply.papertrans.cn/19/1820/181977/181977_12.pngInsufficient 发表于 2025-3-23 18:14:45
http://reply.papertrans.cn/19/1820/181977/181977_13.pngdictator 发表于 2025-3-24 00:36:34
http://image.papertrans.cn/b/image/181977.jpggait-cycle 发表于 2025-3-24 03:13:03
Perspektiven der KulturökologieIs it ever ethical to translate? In other words-Fraudulent 发表于 2025-3-24 08:13:30
http://reply.papertrans.cn/19/1820/181977/181977_16.pngtemperate 发表于 2025-3-24 13:15:02
https://doi.org/10.1007/978-3-663-14614-8e that is never simply analytic or descriptive. And, in their affirmation beyond the limits of any thematization of forms of alterity so radical that they resist dialectical mastery and indeed all thinking governed by a principle of identity, they arguably mark their adherence to a particular historDebrief 发表于 2025-3-24 14:51:56
http://reply.papertrans.cn/19/1820/181977/181977_18.pngcleaver 发表于 2025-3-24 21:39:57
http://reply.papertrans.cn/19/1820/181977/181977_19.png的是兄弟 发表于 2025-3-25 00:33:48
https://doi.org/10.1007/978-3-030-21182-0ckett in its early stages of composition as his ‘German comedy’. and in which the celebrated Swiss clown Grock is not only repeatedly invoked but also identified as the ‘faithful philosopher’ of the novel’s would-be-writer protagonist, Belacqua (Beckett 1992, 136).. From the outset, however, Beckett