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A简洁的
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https://doi.org/10.1007/978-4-431-55966-5is nothing creates dynamics of failure and invention for the artist, their audience and their critics. Further, this chapter proposes that Beckett’s non-relational aesthetics asks us to attend closely to the impossible and the incomprehensible in performance.
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女上瘾
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https://doi.org/10.1007/978-3-319-95618-3Deleuze; Beckett; Audience; Aesthetics; Encounter; Immanence; Reality; British and Irish Literature
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978-3-030-07072-4The Editor(s) (if applicable) and The Author(s) 2018