Generosity
发表于 2025-3-25 05:44:35
2945-6797 d be frustrated by Beckett’s film, radio, stage and television plays. Michelle Chiang explores the ways in which Beckett exploited these mediums to reconstitute an audience response derived from intuition. .978-3-030-08265-9978-3-319-91518-0Series ISSN 2945-6797 Series E-ISSN 2945-6800
革新
发表于 2025-3-25 08:15:40
Book 2018s book charts the processes of how an audience member’s habitual way of understanding could be frustrated by Beckett’s film, radio, stage and television plays. Michelle Chiang explores the ways in which Beckett exploited these mediums to reconstitute an audience response derived from intuition. .
黄瓜
发表于 2025-3-25 11:51:26
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宴会
发表于 2025-3-25 16:58:15
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inculpate
发表于 2025-3-25 22:14:29
Springer Series on Touch and Haptic Systemsn experiential sense of loss. In the second half of the chapter, we explore how Beckett’s subscription to an aesthetic of loss could potentially remind the television audiences of their intrinsic state of disjunction.
笨拙的你
发表于 2025-3-26 03:52:37
2945-6797 -specialist audience.Considers the concepts of habit, intuit.Beckett’s Intuitive Spectator: Me to Play. investigates how audience discomfort, instead of a side effect of a Beckett pedagogy, is a key spectatorial experience which arises from an everyman intuition of loss. With reference to selected w
Bombast
发表于 2025-3-26 05:22:22
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padding
发表于 2025-3-26 10:41:13
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Ebct207
发表于 2025-3-26 14:03:50
Introduction,tion defines Intuition as we consider its opposition to the concept of Habit established in the first section. Section . Disjunction explains how a sense of disjunction in Beckett’s characters and audiences is the result of the tension between Habit and Intuition.
allergen
发表于 2025-3-26 18:57:36
,Time Out from the World: Respite in Beckett’s Stage Plays, intuitive time and an interminable external ‘clock’ time. In this chapter, we look at how in the midst of attempting to make use of their intuition to pass the time, a sense of respite is produced for the characters and at the same time deprived from the audience members.