偏差 发表于 2025-3-21 19:41:04

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comely 发表于 2025-3-21 23:14:30

Precursors and Unruly Vanguards,rasure of women performers, the centrality of male love, and the boy prostitute performer. I also draw attention to the connections between early onnagata gender performance and prostitution, eroticism, and early onnagata stylization practices, and the significance of the boy body and gender ambiguity in onnagata performance.

Coordinate 发表于 2025-3-22 01:56:17

t limited to a ‘theatre arts‘ focus, rather it is a mapping and close analysis of transformative genders through several historical periods in Japan (the seventeenth through the twentieth centuries).978-1-349-52991-9978-1-4039-7913-1

Blatant 发表于 2025-3-22 04:56:21

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Venules 发表于 2025-3-22 11:14:19

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reaching 发表于 2025-3-22 14:13:44

The War on Terror through a Feminist Lensrasure of women performers, the centrality of male love, and the boy prostitute performer. I also draw attention to the connections between early onnagata gender performance and prostitution, eroticism, and early onnagata stylization practices, and the significance of the boy body and gender ambigui

Pudendal-Nerve 发表于 2025-3-22 20:10:43

The War on Terror through a Feminist Lenster generation of onnagata learned the innovations of star onnagata and assimilated their outstanding patterns. The star onnagata innovations became part of a “loosely fixed” system of onnagata gender acts that comprise the stylized onnagata performance . (forms) of contemporary kabuki. Each star pe

全部逛商店 发表于 2025-3-22 21:51:30

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存心 发表于 2025-3-23 02:01:32

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chapel 发表于 2025-3-23 07:19:20

International Political Economy Seriesis is the consummate corporeal form that onnagata are taught from their early training in . (onnagata fundamentals). An onnagata strives to mold his flesh, muscle, and bone through specific physical acts to approach this fictional model, the intentional body: a perfect composite of onnagata gender a
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查看完整版本: Titlebook: Beautiful Boys/Outlaw Bodies; Devising Kabuki Fema Katherine Mezur Book 2005 Katherine Mezur 2005 feminism.gender.Kabuki.theatre