PIZZA
发表于 2025-3-23 10:27:19
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charisma
发表于 2025-3-23 17:10:36
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教育学
发表于 2025-3-23 21:12:25
Books, Devices, Verbal Chicanery, and Cosmological Range,e Last Bud’ in the context of its publication in .. I detail the way the poem mocks and travesties the discourse of the magazine and establishes a dialogue with Shelley’s Alastor. The chapter concludes by tracing a set of allusions to Villon, and arguing for the thematic and conceptual coherence of MacSweeney’s early work.
委派
发表于 2025-3-23 23:10:23
Strikers with Poems: From , to ,,econd half of the chapter focuses on the neglected book-length poem . and MacSweeney’s involvement with the London Poetry Society and the National Union of Journalists in the 1970s. It reads . alongside the work of E.P. Thompson and elucidates how the poem was abandoned at the end of the Grunwick dispute in 1978.
贝雷帽
发表于 2025-3-24 03:58:04
,Into the Dangerous Decade: 1979–82,rt Hall, and examines the aesthetic history of representing class domination and the nation state in sexualised terms. The chapter concludes by reading . as a satire of the news coverage of the Falklands War and a critique of changes to the citizenship laws of the UK.
Oversee
发表于 2025-3-24 09:01:28
Class and Representation: From , to ,, Maggie O’Sullivan and John James, and looks at his correspondence with Prynne. The concluding argument focuses on . and looks again at MacSweeney’s representation of the lumpenproletariat, this time in the light of the Meadowell riots in Newcastle, 1991.
冷淡周边
发表于 2025-3-24 11:19:23
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ITCH
发表于 2025-3-24 18:19:19
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Delirium
发表于 2025-3-24 20:39:50
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该得
发表于 2025-3-25 01:43:46
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