彩色
发表于 2025-3-23 11:45:48
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绿州
发表于 2025-3-23 17:22:51
https://doi.org/10.1007/b138585ossess continuity with what is loosely called nineteenth-century realism, which continues to employ recognisable and ordinary scenes and characters, and which is apparently indifferent to the searching questions about language that preoccupy the ‘post-Joyceans’. This continuity is particularly evide
显示
发表于 2025-3-23 19:59:50
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legislate
发表于 2025-3-24 00:30:02
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notification
发表于 2025-3-24 03:33:56
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Fulsome
发表于 2025-3-24 10:12:20
Introduction,n Institute, where she continued to work until 1974. In 1945 she began to revise ., which was published by Jonathan Cape in 1950. Cape then published . (1952), . (1953), . (1955), . (1958) and . (1961). In 1963, ., the seventh novel she submitted to Jonathan Cape, was unexpectedly rejected.
acrimony
发表于 2025-3-24 12:32:30
Towards War: , and the Unpublished Novels,and Oxford was brought to a close: she was caught up in the war effort, moved to London and then Bristol, and, in 1943, after another romantic complication, joined the Wrens. In July 1944 she was posted to Naples.
多产鱼
发表于 2025-3-24 16:07:01
ay we sustain interest in our own lives and those of others, grow and are illuminated, and bear with loneliness and age. This study shows the perceptiveness of her sexual comedy and her awareness of social change, as well as her subtle and sophisticated use of language and narrative form. Michael Co
不可接触
发表于 2025-3-24 19:04:10
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cringe
发表于 2025-3-25 03:14:43
Oswestry and Oxford: Early Writings, Literary Influences, and ,,London appear as themselves; Oswestry is the model for all the villages and country towns in the fiction; and Germany and Italy, places of rather unreal romance, appear sometimes as themselves, sometimes as Hungary or Finland. Together they make up her imaginative world, the geography of her feelings.