没有准备
发表于 2025-3-23 12:06:39
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睨视
发表于 2025-3-23 17:29:23
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FUSC
发表于 2025-3-23 21:16:54
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汇总
发表于 2025-3-24 01:54:03
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脆弱带来
发表于 2025-3-24 04:30:14
,Chronotope I: Time, Space, Narrative — ‘Get Ready for Rush Hour’,aid to have caused cinematically naive spectators to run from the auditorium, believing that the titular train would crash through the screen. This fabled reaction perhaps marks out the Lumières as the Wachowski or Scott brothers of their era, progenitors of the cinema of spectacle that those modern
一加就喷出
发表于 2025-3-24 09:37:36
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惰性女人
发表于 2025-3-24 11:50:51
Polyphony: Authorship and Power,me that suggests the possibility of a productive encounter with the Bakhtinian category of polyphony. Mamet pitches a female protagonist into a masculine realm of discourse that is closed-off, impenetrable to the outsider. This drama of communication is played out, however, within a broader context
强化
发表于 2025-3-24 16:16:21
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耕种
发表于 2025-3-24 19:05:51
Conclusion: Making it Real, of discursive relations that I have identified as ‘dialogic’. Bakhtin suggests that the project of dialogism encompasses all expressions of socio-ideological life and is without limit in space and time; it takes heed of our contributions to meaning, but will ultimately carry on without us (MHS, p.1
Outshine
发表于 2025-3-25 01:30:53
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