gregarious
发表于 2025-3-27 00:14:30
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压碎
发表于 2025-3-27 05:08:22
From Stechlin to Stammheim: F. C. Delius as Pioneer,nd filmmakers who come after him stand in his debt. Building on the film . (dir. Kluge et al., 1978), Delius made Horst Herold and Hanns-Martin Schleyer (though not Helmut Schmidt) into literary characters, elaborated what has since become the national commemorative narrative of “Mogadishu,” which s
轻率的你
发表于 2025-3-27 05:24:47
Retelling the Classics: Baader-Meinhof and the German Literary Canon,r archetypal narratives, rewrote classics or adapted national myths. In, the 1970s the Left was showing that the classics belonged to them as much as to the Establishment they were fighting. More recently, the purpose of adaptation has been national reconciliation.
Anterior
发表于 2025-3-27 12:13:46
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行为
发表于 2025-3-27 14:21:57
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CALL
发表于 2025-3-27 19:15:31
RAF Revivalism in the 2000s,ear future after a complete meltdown of the world financial system.. A group calling themselves the Victims takes Germany’s most infamous stock market speculator, Lisa Locust, hostage in an imitation of the RAF’s ambush of Hanns-Martin Schleyer, except that nobody is killed. While “Lisa Locust” is a
侵略主义
发表于 2025-3-27 23:42:48
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敌手
发表于 2025-3-28 06:07:52
2945-6274 al writers. This book is the first to examine this rich literary corpus, treating it as a political unconscious which expresses submerged anxieties and moral blind-spots in Europe‘s most powerful country.978-1-349-34390-4978-1-137-07027-2Series ISSN 2945-6274 Series E-ISSN 2945-6282
鉴赏家
发表于 2025-3-28 09:57:11
10楼
machination
发表于 2025-3-28 12:07:03
10楼