bioavailability
发表于 2025-3-26 22:35:00
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flaggy
发表于 2025-3-27 02:38:18
Oxford Scientific Films: From Field Craft to Film Craft,e course of a decade, Oxford film-makers became central to wildlife television, turning camerawork into a key aspect of the narrative in wildlife films. OSF established a new standard for wildlife television, as described in the 1972 documentary . by Mick Rhodes.
斗争
发表于 2025-3-27 08:01:41
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竖琴
发表于 2025-3-27 12:21:40
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挡泥板
发表于 2025-3-27 17:00:32
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jarring
发表于 2025-3-27 20:53:36
978-3-030-19981-4The Editor(s) (if applicable) and The Author(s) 2019
AMPLE
发表于 2025-3-28 00:31:01
Jean-Baptiste GouyonOffers a unique look at ‘making of’ wildlife documentaries.Based on first-hand interviews conducted with David Attenborough.Tells the full story of BBC wildlife and David Attenborough
场所
发表于 2025-3-28 04:34:26
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aspersion
发表于 2025-3-28 07:50:49
,X-ray Hazards — Diagnostic and Therapeutic,to find ways of convincing viewers that they can speak authoritatively on behalf of nature. The wildlife making-of documentary (MOD) is one of the means by which film-makers solicit trust from their audiences. By disclosing aspects of film-making, MODs redefine the relationship of wildlife films wit
Discrete
发表于 2025-3-28 12:45:28
Mirjana Maksimović,Vladimir Vujovićs . (1934–1950) to introduce the notion that wildlife television is as much about television as it is about wildlife. The chapter then examines Peter Scott’s programmes produced by the BBC in Bristol, which led to the flagship series ., and Michaela and Armand Denis’s series of films shot in Africa.