刚开始
发表于 2025-3-23 12:46:42
978-3-031-72273-8The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
Irrepressible
发表于 2025-3-23 13:58:16
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供过于求
发表于 2025-3-23 22:02:02
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清楚
发表于 2025-3-23 22:29:03
Setting the Scene: The Adoption of Forensic Analysis in the Attribution of an Artwork and the Roleare faced in assigning unknown and often controversial pieces can be measured by the difference of opinion that is generated in this process. The need for caution, whilst paramount, needs to be backed by an objective judgement based upon a forensic holistic appreciation of the evidence that can be
gusher
发表于 2025-3-24 03:06:33
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平静生活
发表于 2025-3-24 07:28:00
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冷淡一切
发表于 2025-3-24 12:04:14
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recede
发表于 2025-3-24 14:58:41
The , Piacenza through its purchase by King Frederick III of Saxony in 1754, its sojourn in his Zwinger Palace in Dresden, its removal as a spoil of war by the Red Army in 1945 to the Pushkin Museum in Moscow and its restoration in 1954 to its present location in the Gemaldegalerie Alte Meister in Dresde
CRASS
发表于 2025-3-24 20:38:43
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GILD
发表于 2025-3-25 00:51:26
The Application of Artificial Intelligence (AI) to the Attribution of Art Works,tists’ models used in old paintings as this can provide a clue as to the identity of the model and also to the period of execution of the painting. By this means it was established unequivocally that the models used for the Madonna and Child in the de Brécy Tondo and in the . were identical! This no