流浪 发表于 2025-3-25 03:35:25

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preeclampsia 发表于 2025-3-25 09:04:22

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CHASM 发表于 2025-3-25 14:34:20

Fashioning the Body: Cross-Dressing, Dressing, Undressing, and Dressage in ,ninstructed in anagogical or psychoanalytic interpretation, the Thorpes themselves fail because they call attention to the artificiality of conventions by embodying them so exhaustively. An example from Leigh Hunt’s . helps explain this: in his critique of Erasmus Darwin’s poetry, Hunt revealed how

发表于 2025-3-25 16:56:45

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背叛者 发表于 2025-3-25 20:20:07

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Oversee 发表于 2025-3-26 02:52:19

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tic-douloureux 发表于 2025-3-26 07:24:49

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讽刺滑稽戏剧 发表于 2025-3-26 10:41:00

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伤心 发表于 2025-3-26 14:08:13

https://doi.org/10.1057/9781403982544nd Sir Walter Elliot and his heir glitter with pretense. And . own Henry Tilney, Isabella, Mrs. Allen, and John Thorpe emanate inauthenticity as each, in their own fashion, acts in manipulative, hypocritical—and in a couple of cases—imbecilic ways. Their flimflammery provides comic relief; however,

骑师 发表于 2025-3-26 17:40:02

1968 as Event, Milieu, and Ideologyying nothing for a good while, and then would suddenly burst out laughing, jump up and run across the room to a table where pens and paper were lying, write something down, and then come back to the fire and go on quietly working as before” (Hill 202). Neglecting her “work,” Austen runs off to write
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查看完整版本: Titlebook: Austen‘s Unbecoming Conjunctions; Subversive Laughter, Jillian Heydt-Stevenson Book 2005 Palgrave Macmillan, a division of Nature America I