Coterminous 发表于 2025-3-23 12:53:37
http://reply.papertrans.cn/17/1659/165821/165821_11.png不在灌木丛中 发表于 2025-3-23 17:15:41
http://reply.papertrans.cn/17/1659/165821/165821_12.png博爱家 发表于 2025-3-23 20:09:24
http://reply.papertrans.cn/17/1659/165821/165821_13.pngNUL 发表于 2025-3-24 01:31:21
Geometry, Topology and Thermodynamics,c spirit that suffuses the film is lighter, brighter and far more sparkling than in the original. So, what is the understanding of Austen to which Stillman lays claim? We answer this question by exploring the intersection of humour and satire in Austen’s work, its relationship to an ironic perspectiadjacent 发表于 2025-3-24 03:58:47
http://reply.papertrans.cn/17/1659/165821/165821_15.pngNIB 发表于 2025-3-24 09:00:31
Geometry of Chaos and Phase Transitions,om—crafters, professional and layperson scholars, multi-media creators, gamers, and a range of people who just like reading Austen. Hernandez-Knight has long been involved with Austen communities, acting as a regional co-ordinator for the Northern California Region of the Jane Austen Society of Nort令人不快 发表于 2025-3-24 12:52:20
http://reply.papertrans.cn/17/1659/165821/165821_17.png排他 发表于 2025-3-24 17:08:59
,‘Gentle humour’ to ‘savage satire’: Austen Obituaries on Her Death, Its Centenary and Bicentenary,, at the 1917 centenary, and at the bicentenary in 2017, in order to trace shifting trends in the cultural appreciation of the author. The vantage point here is that of the newspaper obituarist or columnist who may or may not have read Austen ahead of their commissions. Turning to non-specialists caforebear 发表于 2025-3-24 21:27:39
http://reply.papertrans.cn/17/1659/165821/165821_19.png痛得哭了 发表于 2025-3-25 01:52:09
Austen Among the Amateurs,limitations of writing for the commercial public, and some chose to avoid it entirely, joining a long tradition of manuscript circulation. In this chapter I discuss Austen’s unpublished work as something beyond “juvenilia” or apprentice writing, but at least periodically a choice that allowed her mo