flaggy
发表于 2025-3-23 11:03:56
https://doi.org/10.1007/978-3-8349-4625-6vitation to join the action of a performance is made and accepted, the audience participant becomes material of a different kind, more carefully shaped and manipulated, more productive of signs and affects, more complex as a site of perception and action. To unpack some of this complexity (and inevi
ALOFT
发表于 2025-3-23 14:28:53
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宽度
发表于 2025-3-23 21:15:48
https://doi.org/10.1007/978-3-322-82856-9There are few things in the theatre that are more despised than audience participation. The prospect of audience participation makes people fearful; the use of audience participation makes people embarrassed, not only for themselves but for the theatre makers who choose to inflict it on their audiences.
OATH
发表于 2025-3-24 00:18:46
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overreach
发表于 2025-3-24 03:05:06
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美色花钱
发表于 2025-3-24 07:13:16
Accepting the Invitation,The questions of this chapter relate to the experience of accepting an invitation to participate, in particular the consequences that this has for the reception of a piece of participatory theatre for the audience participant, as their ‘point of view’ in relation to the performance alters radically at this point. The key questions are:
有帮助
发表于 2025-3-24 11:18:44
https://doi.org/10.1007/978-3-8349-4625-6tably only some of it) I have examined the invitation itself, and described it as an authored procedure. From this proposition I have asked what aspects of the participant become manipulable material and how this happens, what kinds of resistance and embodied engagement are likely to be at stake, and what involvement in the action may feel like.
壮丽的去
发表于 2025-3-24 18:15:27
https://doi.org/10.1007/978-3-322-83750-9 when we consider them alongside more conventional works. They are also concerned with the nature of the artwork, especially in relation to the contribution of the audience participant. The questions are:
无能力之人
发表于 2025-3-24 22:17:55
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谦虚的人
发表于 2025-3-25 02:36:34
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